WHEN THEATRE REALLY GOES FOR BROKE,
it takes us past our standard repertory of responses. It plays with our minds, our senses, our emotions; it convinces us that we feel and understand more than we did, and that, for a short time anyway, to be part of an audience is to be part of a utopia.
WHEN THEATRE REALLY GOES FOR BROKE,
it takes us past our standard repertory of responses. It plays with our minds, our senses, our emotions; it convinces us that we feel and understand more than we did, and that, for a short time anyway, to be part of an audience is to be part of a utop
